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M9205 | Rack mounted recording, broadcasting, live streaming, and guidance all-in-one machine
Meifeite M9205 Live Recording and Guidance Integrated Machine
Product details
Meifeite M9205 Live Recording and Directing Integrated Machine is a product that integrates recording, directing, live streaming, image stitching, image cutout, virtual broadcasting and other functions. It can complete the work of switching consoles, subtitle machines, mixing consoles, hard disk broadcasting systems, virtual broadcasting halls, video recorders, linear editing systems, information television production systems, etc. It supports multiple video interfaces such as SDI/HDMI/VGA/DVI/components, multiple full HD video signal inputs, and users can flexibly choose the interface and channel number of video signal sources. It is designed for live activities, TV programs, and network live broadcasts that require mixing and processing multiple video and sound sources. The live streaming recording and guidance all-in-one machine is lightweight, easy to carry, and extremely powerful, making it a product with perfect mobile live streaming recording and guidance system functions. It is also a comprehensive mobile live streaming recording and guidance system, allowing users to flexibly switch between video and sound sources. Support RTSP/RTMP video streaming, IP access, PPT playback, real-time subtitles/scores, video delay playback, PGM resource recording, synchronized streaming live, image/video/audio, and up to 20 types of material addition, virtual cutout, program playback, audio adjustment, etc.
Function/Feature Introduction:
1. Supports multiple input sources and multiple channels:
Input source: Supports camera, video, NDI/desktop capture, streaming, image, audio, web browser DVD、 Up to 20 media input sources, including virtual cutout, image stitching, and local media files.
Number of channels: According to your own requirements, you can customize the number of channels, which can support the simultaneous display of more than 20 channel signals. Each channel can be set with any input source.
Camera device input: Supports multiple interface camera device input sources, including DVI/HDMI/VGA/SDI/components, etc. It also supports multiple camera signal source channels, supporting 1-12 camera signal source channel signals. Specific camera device interfaces and camera channel numbers can be selected according to customer needs.
2. Software mixed effects platform: Provides a T-shaped damping transition controller for special effects switching, supporting single key hard switching and automatic switching. Realize frame synchronization full frame switching, broadcast grade zero second hard switching (switching without black field), mixed output includes DVI, HDMI, VGA, etc., and simultaneously output and video encoding output switched by hardware digital mixing effects (2 outputs of the same signal with different bit rates and resolutions); Real time subtitles, clock, logo, and still frames; Video transition hard switching, outlining, fade in/fade out, picture in picture, etc., A and B track video conversion and multi-mode, etc
3. DDR file switching: Provides hardware switching between two channels of DDR local files (video, image, VGA), seamlessly integrated with the hardware switching platform PVW/PGM and hard switching. By using a hardware rotary encoder to select videos or images, the video can be selected, played, dragged, paused, and switched for linked playback;
4. Software mixing console: Built in hardware level seven or above high gain audio processor, 2 professional microphone inputs (XLR balanced input x 2); 2-frequency mixing and tuning, 1 stereo output (RCA terminal X1), 1 monitoring output, built-in 4-channel HDMI/SDI audio and video decoding function, 4-channel decoding audio and 4-channel analog audio input can be freely switched, and the output main audio is embedded in HDMI/SDI video output;
5. Audio embedding and decoding: Provides SDI × 4/HDMI × 4 digital audio embedding and decoding input selection hardware switch × 4, which can be tuned and mixed with external input audio such as digital audio × 4, 4, etc. The modulated audio can be embedded as HDMI or SDI output, and can be separated into stereo output, which is convenient and maximizes the solution for tuning and mixing digital audio of professional cameras and other equipment with analog audio of external microphones, stereos and other professional audio equipment;
6. Display system: Real time monitoring of PVW and PGM raw video signals, displaying the raw signal of the input video. The main screen is a 17.3-inch 1920 × 1080IPS high-definition high brightness display screen used to display the host system;
7. Encoder: Built in video encoder and streaming media encoder, with a maximum resolution of 1920 × 1080. Video encoding and recording are broadcast grade MPEG2-HL (75Mbps/S), AVI-DV25, AVI uncompressed, AVI high-definition, and other constant frame video files at 25 frames per second and 30 frames per second. Streaming media encoding is WMV9 and H264, live streaming is WMV and FLV, recording is WMV and MP4, with a built-in publishing system and FMS4.5 upload protocol module; Simultaneously providing a publishing system for WMS and FMS standards, supporting constant code and frame streaming media servers, and having FMS audio and visual synchronization adjustment;
8. Live streaming publishing detection system: Built in HTTP (WMS) and RTMP (FMS) live streaming publishing systems, and detect the entire process of live streaming and publishing. Information that affects the entire live streaming process, such as live encoding, server forwarding, and network connectivity, will be fed back and prompted to the host operation interface to ensure the security of video live streaming; At the same time, the system provides audio encoding, video encoding, resolution, and bitrate selection linkage to maximize the resolution of live streaming and recording failures caused by setting errors during the process;
9. Multi stream broadcasting: The same live program is simultaneously transmitted to viewers through the network with different streams and resolutions to meet the viewing needs of different network environments. High bit rate videos and streaming media files such as 720 × 576, 1280 × 720, 1920 × 1080 can be recorded while broadcasting in small streams (resolution of 320 × 240, audio and video bitrate of 100Kbps); Built in multiple different encoders, it can record high-definition video of broadcast grade MPEG 2 75Mbps/S at 35G per hour (suitable for large screen viewing, such as LED large screen TVs, etc.) while ensuring smooth live streaming (suitable for small screen viewing, such as networks, computers, mobile phones, etc.);
10. File live streaming/scheduled live streaming: pre-set video playback tasks, including playback time and playback mode; Can save playback tasks and achieve parallel multitasking; Call local video resources and play video files at regular intervals; Supporting playback modes: sequential playback, single playback, random playback, single loop, list loop; Supports the vast majority of video formats, with unlimited addition to the list of video files; Support live streaming pause; Timed playback without the need for manual adjustment;
11. Camera controller: Optional control device for multiple external cameras and gimbal (supporting universal control protocols such as Panasonic, SONY, etc.), which can control the push, pull, shake, pitch, tilt, and variable speed control of professional cameras separately, providing precise control buttons for cameras;
12. Subtitle system: Built in modular professional subtitle system, with pre made subtitles and overlay switching based on what you see and what you get; Provide various pre production subtitle pre monitoring, which can support multiple image formats (jpg, bmp, png, ico, PSD, TGA, tif, etc.), as well as various special effects. Provide local real-time subtitle creation tools and third-party network subtitle real-time creation and editing tools, subtitle review, etc., provide more than 60 subtitle shortcut keys, and provide real-time text import;
13. Opening and ending: Built in shortcut keys for opening and ending, allowing for quick addition of opening and ending sequences. Supports dynamic, static, and image diversification, with no impact on recorded content (accurate to frames). Supports broadcasting grade high-definition MPEG 2 opening and ending sequences, and forms a file with the recorded broadcasting grade high-definition MPEG 2 recording content, without the need for post editing;
14. Simultaneous recording: Provides synchronous, simultaneous, and frame recording of raw multi camera input video and multi camera guide switching synthesis video. It can be recorded into broadcast grade high-definition MPEG 2 file (75Mbps/S) video files, as well as WMV, MP4, AVI, FFMPEG streaming video files, etc. It supports separate recording of multiple signals and multi screen synthesis recording,
15. Large screen output: equipped with HDMI/VGA/DVI large screen output interface, supporting large screen display and guide switching; Real time configuration.
16. Virtual Studio System: The system provides a virtual cutout system (pre planted with 20 sets of materials, which can be manually added); Provide a single key image cutout method, allowing the background, large screen, and TV wall to be freely selected and replaced from input sources (such as cameras, computers, etc.) and local sources (videos, pictures, etc.). The input source audio supports mixing;
17. Slow motion replay: It allows videos to be replayed frame by frame, capturing exciting moments and reminiscing about the fun of that moment. It is widely used in recording high-definition videos for replay during competitions, training, and other scenarios. It also plays back controversial video scenes or some non-standard training movements in slow motion for analysis and evidence collection. Provide technical and scientific basis for competition disputes, non-standard training movements, and other scenarios. Ensure the fairness, impartiality, and openness of the competition, and improve the scientific and effective nature of sports training.
1. Supports multiple input sources and multiple channels:
Input source: Supports camera, video, NDI/desktop capture, streaming, image, audio, web browser DVD、 Up to 20 media input sources, including virtual cutout, image stitching, and local media files.
Number of channels: According to your own requirements, you can customize the number of channels, which can support the simultaneous display of more than 20 channel signals. Each channel can be set with any input source.
Camera device input: Supports multiple interface camera device input sources, including DVI/HDMI/VGA/SDI/components, etc. It also supports multiple camera signal source channels, supporting 1-12 camera signal source channel signals. Specific camera device interfaces and camera channel numbers can be selected according to customer needs.
2. Software mixed effects platform: Provides a T-shaped damping transition controller for special effects switching, supporting single key hard switching and automatic switching. Realize frame synchronization full frame switching, broadcast grade zero second hard switching (switching without black field), mixed output includes DVI, HDMI, VGA, etc., and simultaneously output and video encoding output switched by hardware digital mixing effects (2 outputs of the same signal with different bit rates and resolutions); Real time subtitles, clock, logo, and still frames; Video transition hard switching, outlining, fade in/fade out, picture in picture, etc., A and B track video conversion and multi-mode, etc
3. DDR file switching: Provides hardware switching between two channels of DDR local files (video, image, VGA), seamlessly integrated with the hardware switching platform PVW/PGM and hard switching. By using a hardware rotary encoder to select videos or images, the video can be selected, played, dragged, paused, and switched for linked playback;
4. Software mixing console: Built in hardware level seven or above high gain audio processor, 2 professional microphone inputs (XLR balanced input x 2); 2-frequency mixing and tuning, 1 stereo output (RCA terminal X1), 1 monitoring output, built-in 4-channel HDMI/SDI audio and video decoding function, 4-channel decoding audio and 4-channel analog audio input can be freely switched, and the output main audio is embedded in HDMI/SDI video output;
5. Audio embedding and decoding: Provides SDI × 4/HDMI × 4 digital audio embedding and decoding input selection hardware switch × 4, which can be tuned and mixed with external input audio such as digital audio × 4, 4, etc. The modulated audio can be embedded as HDMI or SDI output, and can be separated into stereo output, which is convenient and maximizes the solution for tuning and mixing digital audio of professional cameras and other equipment with analog audio of external microphones, stereos and other professional audio equipment;
6. Display system: Real time monitoring of PVW and PGM raw video signals, displaying the raw signal of the input video. The main screen is a 17.3-inch 1920 × 1080IPS high-definition high brightness display screen used to display the host system;
7. Encoder: Built in video encoder and streaming media encoder, with a maximum resolution of 1920 × 1080. Video encoding and recording are broadcast grade MPEG2-HL (75Mbps/S), AVI-DV25, AVI uncompressed, AVI high-definition, and other constant frame video files at 25 frames per second and 30 frames per second. Streaming media encoding is WMV9 and H264, live streaming is WMV and FLV, recording is WMV and MP4, with a built-in publishing system and FMS4.5 upload protocol module; Simultaneously providing a publishing system for WMS and FMS standards, supporting constant code and frame streaming media servers, and having FMS audio and visual synchronization adjustment;
9. Multi stream broadcasting: The same live program is simultaneously transmitted to viewers through the network with different streams and resolutions to meet the viewing needs of different network environments. High bit rate videos and streaming media files such as 720 × 576, 1280 × 720, 1920 × 1080 can be recorded while broadcasting in small streams (resolution of 320 × 240, audio and video bitrate of 100Kbps); Built in multiple different encoders, it can record high-definition video of broadcast grade MPEG 2 75Mbps/S at 35G per hour (suitable for large screen viewing, such as LED large screen TVs, etc.) while ensuring smooth live streaming (suitable for small screen viewing, such as networks, computers, mobile phones, etc.);
10. File live streaming/scheduled live streaming: pre-set video playback tasks, including playback time and playback mode; Can save playback tasks and achieve parallel multitasking; Call local video resources and play video files at regular intervals; Supporting playback modes: sequential playback, single playback, random playback, single loop, list loop; Supports the vast majority of video formats, with unlimited addition to the list of video files; Support live streaming pause; Timed playback without the need for manual adjustment;
11. Camera controller: Optional control device for multiple external cameras and gimbal (supporting universal control protocols such as Panasonic, SONY, etc.), which can control the push, pull, shake, pitch, tilt, and variable speed control of professional cameras separately, providing precise control buttons for cameras;
12. Subtitle system: Built in modular professional subtitle system, with pre made subtitles and overlay switching based on what you see and what you get; Provide various pre production subtitle pre monitoring, which can support multiple image formats (jpg, bmp, png, ico, PSD, TGA, tif, etc.), as well as various special effects. Provide local real-time subtitle creation tools and third-party network subtitle real-time creation and editing tools, subtitle review, etc., provide more than 60 subtitle shortcut keys, and provide real-time text import;
13. Opening and ending: Built in shortcut keys for opening and ending, allowing for quick addition of opening and ending sequences. Supports dynamic, static, and image diversification, with no impact on recorded content (accurate to frames). Supports broadcasting grade high-definition MPEG 2 opening and ending sequences, and forms a file with the recorded broadcasting grade high-definition MPEG 2 recording content, without the need for post editing;
14. Simultaneous recording: Provides synchronous, simultaneous, and frame recording of raw multi camera input video and multi camera guide switching synthesis video. It can be recorded into broadcast grade high-definition MPEG 2 file (75Mbps/S) video files, as well as WMV, MP4, AVI, FFMPEG streaming video files, etc. It supports separate recording of multiple signals and multi screen synthesis recording,
15. Large screen output: equipped with HDMI/VGA/DVI large screen output interface, supporting large screen display and guide switching; Real time configuration.
16. Virtual Studio System: The system provides a virtual cutout system (pre planted with 20 sets of materials, which can be manually added); Provide a single key image cutout method, allowing the background, large screen, and TV wall to be freely selected and replaced from input sources (such as cameras, computers, etc.) and local sources (videos, pictures, etc.). The input source audio supports mixing;
| name | Rack | Flip up | Flip down style |
| model | Meifeite M9205 | Meifeite M9208 | Meifeite M9209 |
| picture |
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| Support signal path count |
The standard configuration is 4-channel SDI/HDMI Can be expanded to 12 channels |
The standard configuration is 4-channel SDI/HDMI Can be expanded to 8 channels |
The standard configuration is 4-channel SDI/HDMI Can be expanded to 12 channels |
| Video input interface |
The standard configuration is 4 SDI/HDMI Customizable DVI/VGA/component/AV/S terminals |
The standard configuration is 4 SDI/HDMI Customizable DVI/VGA/component/AV/S terminals |
The standard configuration is 4 SDI/HDMI Customizable DVI/VGA/component/AV/S terminals |
| Audio input interface |
1X RCA(line IN/mic) 2X XLR |
1X RCA(line IN/mic) 2X XLR |
1 X RCA（line IN/mic） 2 X XLR， |
| Video Coding |
H, 264 supports base/Main /high profile |
H, 264 supports base/Main /high profile |
H, 264 supports base/Main /high profile |
| audio coding | AAC | AAC | AAC |
|
resolution |
1080P/1080I/720P/480p (Standard configuration); 4K,2K |
1080P/1080I/720P/480p (Standard configuration); 4K,2K |
1080P/1080I/720P/480p (Standard configuration); 4K,2K |
| Support frame rate |
High definition video (highest) 60fps |
High definition video (highest) 60fps |
High definition video (highest) 60fps |
| Recording bitrate | 1Mbit/s～75Mbit/s | 1Mbit/s～75Mbit/s | 1Mbit/s～75Mbit/s |
| Video output | HDMI/VGA/DVI | HDMI/VGA/DVI | HDMI/VGA/DVI |
| Audio output | RCA | RCA | RCA |
| file format |
MP4,WMV,AVI,FFMPEG, MPEG-2 |
MP4,WMV,AVI,FFMPEG, MPEG-2 |
MP4,WMV,AVI,FFMPEG, MPEG-2 |
| CPU | INTEL I5 (standard) | INTEL I5 (standard) | INTEL I5 (standard) |
| Memory | 16GB (standard) | 16GB (standard) | 16GB (standard) |
| Storage | 1T | 1T | 1T |
| Shock absorption protection | not have |
4 rubber pads around the chassis and screen There are a total of 8 shock-absorbing rubber pads |
4 rubber pads around the chassis and screen There are a total of 8 shock-absorbing rubber pads |
| Is it handheld | cannot | Can be carried by hand | Can be carried by hand |
|
streaming media agreement |
H.264-FLV OVER HTTP / RTMP,H.264-RTP OVER/ RTP |
H.264-FLV OVER HTTP / RTMP,H.264-RTP OVER/ RTP |
H.264-FLV OVER HTTP / RTMP,H.264-RTP OVER/ RTP |
| monitor | not have | 15.6 | 17.3 |
| Guide keyboard | not have | not have | not have |
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